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Glenn Andreiev first experimented with
film-making during high school, shooting
Super 8mm movies (with really primitive sound
systems) While attending School of Visual Arts,
Glenn worked on STREET TRASH, a film
produced by his teacher and friend Roy
Frumkes. On the set of that film, Glenn
learn all the battlefield maneuvers of low
budget film-making. While working on his first
feature film, VAMPIRE'S EMBRACE, Glenn
worked on various films, news crews, and
documentaries. Glenn also writes
for Films In Review, and has an obsessive thing
going for movie-watching, and for tourist
attractions of questionable taste/
film-making during high school, shooting
Super 8mm movies (with really primitive sound
systems) While attending School of Visual Arts,
Glenn worked on STREET TRASH, a film
produced by his teacher and friend Roy
Frumkes. On the set of that film, Glenn
learn all the battlefield maneuvers of low
budget film-making. While working on his first
feature film, VAMPIRE'S EMBRACE, Glenn
worked on various films, news crews, and
documentaries. Glenn also writes
for Films In Review, and has an obsessive thing
going for movie-watching, and for tourist
attractions of questionable taste/
1988. On the set of
VAMPIRE'S EMBRACE
On his left is lead
actress Sarah
Watchman.
1993. A continuity still
for RED PARTNERS.
This was for a pre-
production trailer
for a film that never
got the green light.
VAMPIRE'S EMBRACE
On his left is lead
actress Sarah
Watchman.
1993. A continuity still
for RED PARTNERS.
This was for a pre-
production trailer
for a film that never
got the green light.
Glenn (c. 1983)
Was it watching
too many strange
movies that made
him pinstripe his
car that way?
2004. Glenn with
a visitor to the
SILVER NIGHT
set.
2007. Filming
THE DEED TO
HELL
Was it watching
too many strange
movies that made
him pinstripe his
car that way?
2004. Glenn with
a visitor to the
SILVER NIGHT
set.
2007. Filming
THE DEED TO
HELL
Paul Kanter's first introduction to films came
through a college film festival that showcased
foreign films ("It was fifty cents to get in. I'm a
CPA, I'm always looking at the numbers!")
Paul started working with Glenn Andreiev in the
post production stage of NIGHT in late 1996.
He was amazed on how an effective film can be
shot for very little money. Since then, him and
Glenn worked on four films together.
"With digital video being so accessible, there's
a feature film being made in every American zip
code. You have to make your film stand out.
You have to pay attention to publicity."
This showmanship holds true in Paul's CPA
practice. He attracted many clients through a
campaign that allowed visitors to his office to
call anywhere in the world for free.
through a college film festival that showcased
foreign films ("It was fifty cents to get in. I'm a
CPA, I'm always looking at the numbers!")
Paul started working with Glenn Andreiev in the
post production stage of NIGHT in late 1996.
He was amazed on how an effective film can be
shot for very little money. Since then, him and
Glenn worked on four films together.
"With digital video being so accessible, there's
a feature film being made in every American zip
code. You have to make your film stand out.
You have to pay attention to publicity."
This showmanship holds true in Paul's CPA
practice. He attracted many clients through a
campaign that allowed visitors to his office to
call anywhere in the world for free.
Paul with
Rosemary Gore
on the SHARP
AND SUDDEN set.
Paul setting up a
prop camera that
appears in
EVERY MOVE
YOU MAKE
Rosemary Gore
on the SHARP
AND SUDDEN set.
Paul setting up a
prop camera that
appears in
EVERY MOVE
YOU MAKE
Paul readies for his close up in EVERY MOVE
YOU MAKE. Notice the monitor facing the
"client" It's part of Paul's dual-screen monitor
system that allows clients to see what he's
preparing.
YOU MAKE. Notice the monitor facing the
"client" It's part of Paul's dual-screen monitor
system that allows clients to see what he's
preparing.
THE HUNTINGTON ACTION
FILMS GUYS
FILMS GUYS
GLENN ANDREIEV
PAUL KANTER
Studio
portrait of
Paul
Making a cameo
appearance as
a policeman in
SHARP AND
SUDDEN.
portrait of
Paul
Making a cameo
appearance as
a policeman in
SHARP AND
SUDDEN.
